The Sheen of Exotica

The draw of faraway places lures many readers to open the front cover of a book. The remote land of the Lapps—the reindeer herders—might spark curiosity in anyone with fond memories of Christmas. A novel featuring the Chechen revolt might stir the feelings of anyone who once hated the Evil Empire. No matter what the foreign culture, a writer with knowledge of it can use the thought “I’d like to find out more about that” as an enticement.

At first blush, the prospect seems so rich. If an author has personal experience with such natives, that can form the foundation for all sorts of explorations into cultural mores. The odd food these people enjoy for breakfast is only one of the fascinating facts that can be meticulously researched, filling reams of pages. “Ew!” you can almost hear the gleeful writer murmur when coming upon such a morsel.

Deeper penetration can lead to a cast of characters who emblemize the different qualities of the exotic tribe. A common pairing is a chieftain who cherishes age-old traditions facing rebellion by his cellphone-obsessed son, or the like. Scenes are drawn up using these totemic types who, after all, aren’t all that different from the rest of us.

At some point this endeavor will reach a point of reckoning. The author steps back and reads everything that has been written so far. For some reason the drama seems pallid. One suspicion that arises is: “I don’t know these people well enough, because I’m not connecting with them.” Or, “This feels like a kitchen table drama, only with exotic cereal.” The writer can react in numerous ways, and a typical pick for fledgling writers is to inject more suspense. A burning issue is inserted in order to raise the level of passion.

That fork in the road might very well produce handsome results. More often, however, it leads to a muddle. Research gets in the way of a thriller-like pace, as does all the pleasant exchanges among villagers that explicate how they are exotic. Moreover, the aims of the two novelistic pursuits are at odds. One will have to be deemphasized to advance the other.

Beyond these story concerns lies the real answer. The author must still cultivate a core cast of main characters. That’s when the magic of the reader’s involvement happens, and it is the only way to sustain the reader’s interest all the way through the book. The writer must imbibe all those cultural trappings so deeply that they form the way his main characters think.

Exercise: Facts gain more sway when they are personalized. Rather than regarding an aspect of culture as dressing for a scene, consider whether it could be internalized by a main character. Take a dream catcher, for a very basic example: what if the heroine was obsessed with a myth about them? That’s the only way they’ll rise above an object placed on a shelf.

“What we find exotic abroad may be what we hunger for in vain at home.”
―Alain de Botton

Copyright @ 2019, John Paine

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