Anyone with a modicum of experience in romantic attraction knows that devotion goes only so far. This is particularly true during the courtship phase of a relationship. If either party shows an inclination toward slavery to the other, the one being worshipped tends to edge away. This reluctance stems not so much from feeling unworthy of such adulation as the fact that faithfulness quickly becomes tiresome.
I raise this point because in my profession, I am often exposed to a paradox. Most men I know in real life are akin to statues. You can say just about anything to them and they don’t flinch. That stoicism intrigues the opposite sex, who see mystery when most times it is a void. A guy just will not admit he has feelings, even to himself.
Now let’s look at books. I find myself frequently telling male authors not to make their romantic swains too steadfast. It’s a puzzling phenomenon, since I know how many books have been written about men’s inability to commit. I know guys are the reason we have the term “midlife crisis.” So I’m not sure why writing a novel brings out the tender side in my sex.
Love at first sight may actually happen, but it is not interesting to read about. When I bring this to a male author’s attention, what tends to occur is the opposite of what I am advising. I use the word “fun” a lot: make the romance fun. You know, do a cartwheel on Fifth Avenue. Delight your new amour with your spontaneity and cheer. Yet the revised scene I get back is deathly serious. The author doubles down on the character’s fealty. Entire paragraphs are written about how incredibly sensitive the hero is—not like a statue at all.
Do us all a favor. Develop a sense of humor. Lighten up. You’re in the business of entertainment. Rather than going inward, think of fun things your character can do outwardly. Have him buy ballet tickets on the spur of the moment. Have him suggest they go out for an ice cream cone. Heck, have him direct their walk past a local playground to watch all the little kids running around. But whatever you do, get him off his emoting ass.
Exercise: Guys are good at writing action scenes. If you know this is a strength of yours, pursue the course of romance this way. If a guy feels attracted to a gal, have him do something embarrassing to prove he isn’t. If he feels the gal is attracted to him, have him remark on it—and then write out her reaction. Don’t pine away for the reader’s benefit. We’re waiting for the fireworks.
“The only sin passion can commit is to be joyless.” —Dorothy L. Sayers
Copyright @ 2024, John Paine
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